My Secret Weapon for 2022 - Plottr

I've always been a pantser. I'd get an idea for a story, see the end or the main point in my head and off I'd go writing myself in and out of corners until I lurched to the finish line. 

The "finish" line was followed by weeks of (hair-pulling, teeth-gnashing) editing until I could declare the book complete or too stupid to live. 

My process was long, tedious and increasingly joyless. Worst of all, it did not result in book that was as tight as I would have liked it to be because I was exhausted and hated the thing by the end. 

There has to be a better way, right? Well, there is. It is called drafting an outline which is something normal people do. I've tried to nail that sucker down for years without success. The act of writing an outline to write only led to me hating my story faster. 

I can't even remember when I heard about Plottr or where, but on impulse I signed up for the online demo of the software. I am cheap. Some might even say stingy. I am immune to impulse buying or sales pitches. But I loved the demo. I could see instantly how this program could work for me. I could play with it, I could manipulate it to work the way my brain works. Sometimes I plot very tightly with it. Sometimes I follow one of the templates. Sometimes I use it for the timeline to shift scenes where I need them to be. I can see how the story is progressing in each box where I jot down everything from dialogue to clothing to weather.

The random bits that flesh out a scene get plugged into Plottr and make writing faster, easier and stronger. Less editing, less time wasted hunting around for where I put what. My daily word count went from an exhausting 2K day to a relaxed 5K a day.

I'm not sure how it does what it does. It's visual so that's a huge help when you're trying to figure out what comes next. It's also liberating because it's easy to plug in the bits that come to me and dump them if they're not working. I can move stuff around. It's not set in stone. There's room for some pantsing but I get a look at the dead ends before I start writing. I waste less time and brain energy when I'm cranking out the words. 

To make a living in self-publishing, we have to produce and Plottr is my secret weapon to amp up production. I have five books planned and instead of feeling overwhelmed and discouraged, I have this cool little tool at my side to get the stories out. 

If you are interested and want to check it out for yourself go to www.plottr.com. There is a rate for a lifetime license which is what I bought. The service is excellent. The thing works. 

New Book Launch Day!

A St. Ives Book Club Mystery

Death Knocks Twice

 

The St. Ives Book Club is at it again when one of their members discovers human remains in Lucinda Pye's field. The grisly discovery turns out to be Professor Gower Pye, Lucinda's common-law husband, who disappeared after a fractious dinner party at the farm seven years ago. St. Ives's amateur sleuths have questions. Why was Gower not found by before this? If the professor of medieval studies was murdered, who did it and why? Their questions lead them to an abundance of suspects. Eight guests at the dinner party had reasons to wish Gower dead. A scandalous tell-all memoir, a tawdry affair, a bitter family feud and a reputation destroyed surface as motives to kill. But if the professor was murdered that October night seven years ago, how do they prove it? And if they can't prove it, how can they accuse? When a second body is found, the gang knows that if they fail, a killer will go free. 

Set in the tiny hamlet of St. Ives in Southern Ontario, a murder mystery book club discovers they have a taste and talent for solving unsolved crimes. Led by the brilliant and eccentric Elliot Marks, five active retirees and two young reporters unearth secrets certain residents of the cosy village would prefer remained buried.

Available on Amazon in ebook and print. Click on the title to be taken to the product page. 

Death Knocks Twice

Huffington Post and the woefully uninformed writer

I live near Wakefield, Quebec, a small village in which independent artists create music, poetry, theatre, textiles, glasswork, woodwork, photography and more. Everything from the food we eat to the culture we consume comes from the place we live. Our seniors are anything but "elderly" and our way of life is DIY if all else fails. We are not conservative. Though we value tradition, we respect differing points-of-view and choices.

Or so I thought.

A traditionally published author in Wakefield has written an article for Huffington Post entitled Self-Publishing: An Insult to the Written Word. 

Laurie Gough is a fine travel writer; I have two of her books and a copy of her latest release on my shelf. But she does not know anything about self-publishing and to the best of my knowledge (based on this article) she made no attempt to inform herself before she posted her opinion piece. She is aware I am a self-published author. I cheerfully insult the written word every morning from 7 am and 12 noon.

Laurie makes an apology of sorts in the comments trail in which she more or less throws Canada under the bus saying self-publishing isn't as big up here. That doesn't fly with the Canadian authors on KBoards Writers' Cafe. (Founded by a Canadian author who passed away last year. Seriously, Laurie. Google is your friend.) 

HuffPo article take down of self-pubbers destroyed in comments

I drop into the Cafe every morning with my cup of coffee to wake my brain up and get started on the day. I usually don't read threads like the one above because, meh, I've heard it all before. I made $1400 in 20 years of traditional publishing and $10,000 in 2 years of self-publishing so I can't be bullied into thinking less of my work. For whatever reason, I opened the thread and Laurie's name came up. Talk about surreal. And then I read the piece and got a stomach ache.

I can accept that Laurie was expressing her personal opinion. What I can't accept is the utter lack of thought, research or fact-checking that went into forming her opinion before she hit "publish." She made no effort to challenge her beliefs and consequently she has no idea how to defend them.

We've all fallen victim to the sloppy journalism of online "news" so I won't go down that rabbit hole of dissecting the misquoted Margaret Atwood, the lazy analogies or the hyperbole. The over 700 comments do a better job of correcting the errors and misinformation.

Two authors address the fundamental flaws in Laurie's thinking better than I can.

It's Joe Hunt

Monster Hunter Nation

The interesting silver lining that I got out of this as I head into 2017 was the sense that I am part of something bigger. The traditional publishing system is far from obsolete and has a lot to offer society and writers. But where it can't serve, self-publishing is a viable alternative.

It is also work, but that's what's cool about it. I had no appreciation for what editors, publishers and agents were talking about in terms of marketability until I tried to sell my own books. I do now and that's the best thing about DIY--one is forced to be humble enough to learn.

A lesson I hope Laurie Gough gets out of all of this.

Books2Read Universal Link and the Independent Publisher

I am an independent publisher. I also write but because I manage four pen names, one imprint, two blogs and forty titles, I am considered an independent publisher. I use Smashwords, Kindle Direct Publishing and Draft2Digital to get the titles into the world. I use CreateSpace for printing and print distribution. After twenty years of trying to make a living at writing, these service providers have made it possible for me to actually make a living at writing. Whoo hoo!

You'll notice I've changed the sales links to the titles on this blog from individual ebook retailers to one link per title: Books2Read Universal Link. ( https://www.books2read.com/ ) 

This amazing little tool was developed by Draft2Digital for authors and book-buyers to streamline the shopping process. Instead of half-a-dozen links (that I may or may not get right) I only have to provide one. 

1) The book-buyer clicks on the link and is taken to a landing page for that book where all the stores that carry the book are listed with logos readily identifying each  store. Cool!

2) Book-buyer chooses store he or she likes, clicks and boom--there you are on the product page. Read the blurb, mull over the price and buy. Swell! 

3) The buyer is prompted to request the same store for future purchases. Nice!

I like stuff to be as uncomplicated as possible. Shopping online is very difficult for me so anything like this helps cut out the clutter and I don't feel pushed or hassled into looking at a bunch of stuff I don't want.

Draft2Digital did not charge me as a publisher for this new tool. These savvy ebook distributors are quietly remapping the publishing industry one book sale at a time.

Smashwords is another forward-thinking distributor that also has a hopping book store. They sell in all formats, retailer direct, give an outstanding royalty to the author, host author pages, giveaways and work with libraries to promote independent titles. They are super international and have a free section to sample new authors. No pop-ups or advertising or spam emails--just books in all genres at great prices.

Check them out:   Smashwords Book Store

Hey! Happy Reading!

Kindle Unlimited and Me

I would've titled this post Kindle Unlimited and the Indie Author but every author's experience is different. Our books are different, our marketing skills are different---it gets really boring itemizing how different we all are. We're so hung up on trying to find commonalities when we share information that we can't see the forest for the trees.

Here is the forest:

Amazon is a book retailer. They also publish their own imprints. They're also a mechanism by which authors can self-publish their work direct to Kindle ereaders. They sell the devices as well as the books to read on the devices. They also offer subscription-based access to all books enrolled in Kindle Direct Publishing Select. They have margins.

Here are the trees:

The independent authors who have enrolled their books in Select. They give Zon an amazingly diverse catalogue to hook Kindle Unlimited subscribers and Zon gives them a platform with which to reach readers. Sure, almost everyone wants the blockbuster novels, but indie offerings are the "added value" component of the whole forest. The authors also have margins.

It's a happy, balanced ecosystem until Amazon has to increase its margins and then the authors inside the forest get squeezed. We felt the Amazonian boa constrictor squeeze this week when the KENP formula was changed and the value of our books decreased by about 60 pages. KENP stands for Kindle Edition Normalized Pages. Authors in Select are paid 0.0046 per KENP read. If Mary Sue borrowed my riveting mystery, Iced Under (511 KENP) in January, I would have been paid a $2.35 royalty. Now, I would be paid $2.07. The royalty on a sale is approx. $2.79.

Not too shabby, right? What's 72 cents among friends. And besides, isn't the idea we'll get readers borrowing our books and make a bit of money on the side? Hey, I drank the Kool-aid, I'm not judging.

The kicker is we have to promote and compete to get borrows with exactly the same zeal and expense that we have to promote to get sales. Time and money margins. Only these are not sales and your book is only available in one store, not four (or five if you count Google Play and I don't). And then you open your reports page and whoa nelly! You are down by a sum that you did not see coming.

Okay, so we've been "normalized" after not being normal. Or something. I was all in with Kindle Unlimited until I realized I wasn't building a sales record. I was knocking myself out to get borrows. Borrows are lovely when they're in a library and somebody--somewhere--has already paid for the book. But when you become dependent on them for income, borrows are like living in your mom's basement. Every now and then she threatens to sell the house.

It's been said that KU has cannibalized sales. It's also been said that KU has helped sales. I have no data either way. In my experience, I worked like a dog to promote my novels last year and came out about $10 ahead each month that I was in Select versus wide. Other authors report dramatically different results.

The upshot of all this analysis is no two books are alike. Look at your own book and take your own market and margins into consideration when you're deciding to go exclusive or wide with all retailers. If all else fails, experiment. I liked the convenience of Select but I like getting sales in other markets a whole lot more. I like building a sales history. I like getting my $2.79 fair and square.

My margins are chubbier now too and I like a chubby margin.

Peace out.

A Writer's New Year's Resolutions

1. Write better books.

2. Get more exercise.

3. Write more books.

4. Make more money (anything above poverty level will do)

Resolution 4 used to top my list. Year after year, making money was my number one priority and year after year, it was never enough. I make more now than I did last year but at the expense of my body, emotional well-being and the joy of writing. So I'm ditching Resolution 4. 

Selling books is a crap shoot. Writers can spend years crafting novels and never make enough to pay the Hydro bill. Or they can spend 14 days writing a novel that lies there like a dead dog in August and never sells a copy. Or they can spend years working on craft and net thousands upon thousands of dollars from one book, or the exact same result could be achieved after a weekend of booze-induced scribbling. Total crap shoot.

I hereby resolve to ignore sales reports, do my best and let the money take care of itself. Sink or swim, the book is on its own. 

Next!

Resolution 1 and 3 can grow to like each other with steady, daily application to the word count. 200 words a day for 365 days equals one reasonably-sized book. 200 words is a walk in the park. For me and other writers, the demarcation between "good writing" and "cranking it out" is 2000 to 3000 words a day. 2K for me is a good day's work. A friendly, patient approach and good books will come in great quantity.

I resolve to write good books and more of them with daily dedicated application of 200 to 2000 words.

Which brings us to Resolution 2. All of us who sit in front of a computer for hours at a time need to stand up. Right now. I can see you. You're not standing. It has become life-threatening to sit for hours. (It probably always was but we're just learning about it.) I've restructured my office to allow me to stand and work. But that's not enough. Daily exercise outside improves just about everything.

I resolve to take a daily walk, which will help me stick to Resolution 1 and 3 and increase the odds of number 4 happening in my lifetime. 

I'll report back on December 31, 2016 (God and Blogger willing) on how my 2016 Resolutions panned out. Because that could be fun. Or not. We shall see!

Kindle Unlimited Royalty Structure - My Thoughts

Oh to live in a world where things stayed the same for more than a calendar year. Rapid change and publishing do not mix. As a writer on KBoards said: "This is why authors drink."

Amazon's KDP platform rolled out its new royalty structure for titles exclusive to KDP on July 1st. If you enrolled your book in Select, your book is subject to borrows. Borrows used to be paid at a flat rate (the amount varied from month-to-month) of $1.35 for a book read to 10%. Under the current structure, royalties are paid for pages read at a rate of 0.005779/page.

A 300 KENP (the term for Amazon's calculation of a page) book read to the end would earn $1.73. Under the old system (fondly known as KU.1) that book would have earned $1.35. 300 KENP breaks out into roughly 150 regular pages depending on how it's formatted. So let's say a price point of $2.99 with a $2.09 royalty on a sale and a $1.73 on a borrow. A sweet deal, right? Oh, but that's the honey-trap. Let's run the math....

10% read under KU.1 earned $1.35. 10% read under KU.2 earns 0.17. Yes. 17 cents. (Cents is such an old-fashioned word. I feel I should be wearing a newsboy's cap as I write this, fingers inky with newsprint.) One hopes one has written a high-octane, addictive page-turner but it's a little late now if it isn't. The book is exclusive to Amazon for three months.

With Kindle Unlimited, a subscriber is allowed up to 10 titles at a time per month on their Kindle for $9.99. Maybe my book will make it to the top of a reader's TBR pile. Maybe not. In the meantime, Amazon does not pay out for more than what is read that month. There are obvious reasons why the old system was unsustainable for Amazon, at the same time it was an excellent strategy because the retailer was able to quickly build a huge catalogue of books for their subscription service. It is equally obvious why KU.2 is a bottom-line dreamboat.

(Sadly, I would've done exactly the same thing if I were Amazon. Actually, I'd be even meaner. I'd start culling books from my store that were not performing. I'd be analyzing the Pages Read Data to identify a break-out book that hasn't broken out yet and then I would snap up that author for my Imprints. I'm horrible.)

KU.2 has deep ramifications for publishing and I'm still mulling the possible outcomes. But in the here and now, what it means for this author is something like 17 cents a day. (30 KENP pages x 0.005779 = 0.17337 cents; 30 pages is approx. 3 chapters)

Drinks are on me!

Apple Piracy Policy. Um, Really?

This is from their website:

"Apple actively and aggressively enforces its intellectual property rights to the fullest extent of the law. If you have any questions concerning piracy please fill out the form below."

Okay, so like I have a question? Um, I filled out the forms ... like so many forms, dude, and like no one has responded. So, like, are you sure about this piracy policy-thing of yours? Because I received word this morning from Amazon that my novel The Grey Lady is still being sold at $9.99 in the iTunes Store despite six DMCA notices filed, emails, forms filled out and complaints filed in that hellhole they call "Support."

Get this:

I thought I would give Apple the benefit of the doubt, you know? Maybe the page was a dead link, right? So I decided to try and buy the book myself. First I had download iTunes but my computer is too old, so iTunes Download told me to piss off.

Unable to check if the book was available for purchase, I was reduced to asking Amazon Support if they could check for me. (Let that sink in for a minute.) They emailed me this morning to say they checked and the book could be purchased.

Two years later without account statements sent to the agent or the original publisher. No royalty statements. No legal right to sell the book.

So to recap:

"Apple actively and aggressively enforces its intellectual property rights to the fullest extent of the law."

Apple is aggressive with pirates of their intellectual property. They could give a shit about your intellectual property. And when they are the ones doing the pirating, its a case of Fuck You.

Class dismissed.

Day 12. iTunes Legal. The Sequel.

Two years.
Five DMCA take down notices filed.
One query from an Apple legal representative.
Two emails from beleaguered author.
Result:
https://itunes.apple.com/us/book/the-grey-lady/id560171274?mt=11

I swear I will leave this post up for posterity if they remove The Grey Lady and the last laugh is on me.

Here's the thing: If you are not ready to sell books, then don't sell books. If you don't like dealing with authors and their pissy-diva complaints, then don't sell books. If you want lovely content to lure buyers to your freakishly expensive devices, then you'll be dealing with human beings who write books. If you don't want to deal with them, then don't sell books.

The thing about Corporate Image is it can't just be an image. The way a corporation treats its smallest customer is the measuring stick of their integrity, not a glossy ad campaign telling us you have integrity. I wrote a book. It was published. Shit happened and now we want the book removed from the iTunes Store. Easy-peasy. Literally every other book retailer managed to pull off this wondrous feat as soon as they were notified.

At the moment, I can't enroll The Grey Lady in KDP Select because it is being SOLD on iTunes without permission or payment in direct violation of copyright. This means I can't hold the promotions I planned for this summer. This means lost revenue.

It's not rocket science, Apple iTunes. It's book-selling and if you can't take the heat, get out of the kitchen.

(Speaking of ad campaigns, for the love of God, will the Conservative Party give us a break from those truly stupid Justin Trudeau attack ads? Running them every 15 minutes is not helping. One of the actors carps from a script about Mr. Trudeau's hair and all I can think about is his hair compared to Mr. Harper's hair and then I wonder 'Why am I thinking about hair?' In the meantime, Mr. Trudeau has an ad running about the issues facing middle-class Canadians. No mention of hair. Do the math, gentlemen.)

iTunes Legal, Are You Listening?

Dear iTunes Legal Department,

I'm not entirely sure you exist. I filled out forms online and hit Submit but for all I know that could just be a big placebo button to keep us hoping someone will actually do something.

Here's the thing.

You have my book The Grey Lady as it was published by McArthur and Company in 2012 still up for sale in your iTunes Store and I'd like you to remove it.

https://itunes.apple.com/us/book/the-grey-lady/id560171274?mt=11

See, boys ... (gosh this is awkward) it doesn't belong to you. It doesn't belong to McArthur anymore either. It belongs to me now and has since June 2013. McArthur and Co. gave it back when they closed their doors.

It's been three years. I've asked you nicely (July 2013 and August 2014) to remove the book from your store as

1) I don't receive royalties on it
2) I've published the book myself
3) I want you to

And just like the darling hipsters you are, you still haven't done it. I assume you are too busy believing your own hype to deal with copyright infringement. You still have that shitty interface for customers/authors/the great unwashed to file their complaints into the Apple Buzzkill Cloud where they can be ignored.

This is the response I received after filing a Copyright Infringement Complaint with Apple Legal:

Thank you for taking the time to contact us.

If you do not receive a response from an Apple employee, we regret that we are unable to process your request. Please note that due to the high volume of requests we receive, this may be the only other reply you will receive from us.

We appreciate your interest and consideration in contacting Apple.
Best Regards,
Apple Legal
Copyright Team

Cheers you fucking assholes. Now get my book out of your store.

Stealing in Broad Daylight

Um...

At this very moment I'm listening to the FULL ALBUM of Enya's Greatest Hits on YouTube.

15,909,875 people have tuned in since it was uploaded on November 13, 2013. plata oro is the entity behind the upload and they have 25,140 subscribers.

I don't get it. Did plata oro pay Enya's music label for the right to upload a digital copy? Did YouTube? Was it such a huge cost that the only way to recoup their investment is by running ads throughout? (I just skip 'em. No biggie.)

Has YouTube and plata oro uploaded the album and from the millions of listeners the artist is bound to attract (like me), they make a fantastic profit by selling ads to corporations? ("Psst, guys, I got a vid running on YouTube that has over 15 mil eyeballs. If you want a piece of the action it'll cost ya.")

I never have to pay for this album. It's crazy. I don't get it.

Wait--is this the Utopian Era of Communal Property and no one told me? Well, hot damn! There's a lovely little mansion in Silicon Valley I've had my eye on for some time ... so when can I move in?

Inquiring minds want to know.

(stolen from the National Enquirer. it's their tagline.)

Goodreads Giveaway Winners!

And the winners of the Goodreads Giveaway for THE RIVER BRIDE are.... *insert drum roll here*

Susan Gannon of Arvada, Colorado
Arturo Operario of North York, Ontario
Sarah Hansrote of Knoxville, Tennessee

792 people entered THE RIVER BRIDE Giveaway and 365 people added it to their To-Read shelves. Thank you!

Folks, this will be my last Giveaway and here's why:

The mailing of books is costly in addition to the cost of the books themselves. This expense is absorbed by the author. The service the winning readers provide is to post their reviews at Goodreads. Without reviews, authors cannot afford to continue to enroll their books in Goodreads Giveaways. A print copy is the only format accepted and because of the cost involved (and often disappointing result) many authors I know are giving up on Giveaways. It is a great program and I'd hate to see it go but for independent authors on a tight budget, it has become a poor return. 

There are readers out there who buy indie books at full price and post their reviews. There are companies who for a fraction of the cost of a Giveaway will promote an independent author's book. When marketing dollars are tight, the non-performer gets cut. 

Writing a review can be nerve-wracking but your opinion matters, especially for an unknown work in this day and age. Think of yourself as a literary talent scout! Finding diamonds in the rough! going where no man has gone before! Readers rule! Discovering a new work by an unknown author is an adventure. You have to tell the world about it because if you don't, who will?

Congratulations to my three winners. Folks, your books are in the mail and I look forward to reading your reviews!

Peace and happy reading.

It's January Sale Time!

In the time-honoured retail tradition of slashing prices to lure post-Christmas shoppers to open their wallets ... I am holding a 0.99 sale of the ebook edition of THE RIVER BRIDE.

The sale is everywhere ebooks are sold: Amazon, Kobo, B&N, GooglePlay and Apple. Click the links in the sidebar to land on the page. 

The price goes back to 4.99 (USD) in February. (It may be my destiny to be a starving artist but no one said anything about giving up caffeine. Thanks to the readers who bought THE RIVER BRIDE at the regular price, I'm caffeinated until March.)

PS: It's a frozen Quebec morning, the trees are coated in ice and when the sunlight shines on them ... too distracting. So beautiful. 

And the dog is sick. So I have that to distract me as well from finishing my latest novel. Back to work!

The Frugal Author

It's Sunday. It's November. We've had snow flurries which I love. I am not one of those November-haters. I love November. Because:

1) It's hunting season.
2) It's quiet.
3) It's not too early for Christmas music.
4) It is too early to stress about Christmas shopping.

I woke at 6:00 am. Wrote/edited/swore at my latest manuscript. Then popped downstairs for televised church, then back upstairs for a teeny bit of writing. Just enough to keep me from sticking my head in a gas oven when I open the file again.

I joke about the gas oven. As if I could afford a gas oven.

Which brings me to The Frugal Author. I've been following an online discussion about how to weather the lean times in writing---a subject I consider myself an expert in as I've only known lean times. If you are considering chucking your job to write full-time, read on.

The Frugal Author: Tips to Living the Dream.

1) If you are currently spending money, stop. Break the habit of spending money while you still earn it. This will lessen the trauma to your central nervous system when you have no money to spend.

2) If you can save, save. If you can't save---see above.

3) Brace yourself to work hard. You will write every day, all day. Plan to write genre fiction even if you are working on The Great Canadian Novel. It will comfort you when no one buys your lit-fic and possibly pay some bills.

4) No. 3 does not apply if you are a New York City journalist, a plastic surgeon, or in the entertainment industry.

5) Don't worry about eating, it's overrated. But if you must, then learn to cook, shop local and (it goes without saying) don't shell out money for junk food (incl. booze). (I know, I know, this one hurt me too.)

6)  Do not go into debt for your books. Ever. You will be tempted. Resist. Hundreds of thousands of authors will back me up on this. Do not get so deep into debt that you can't write. This is the best advice I didn't take when I was starting out. I didn't take it and I still owe money for Living the Dream.

7) Self-publishing, you say? The temptation (and pressure) to spend is even higher. Do not spend more on your books than you can realistically expect to earn from them. And then ratchet those expectations down by about fifty percent. I'm not being negative. I'm being positive. You will positively have a tough slog to sell 100 copies of your book. Pace your expenses accordingly. Your market will grow ... but baby steps.

8) Agents reject you. Publishers don't respond. Your savings have dwindled and your life is shit. You never see your kids/husband/wife/mother/friends and your body is falling apart. Was it worth it? If your answer is no, then please do not quit the day job. Not a living soul will fault you for it. And if they do, send them to me and I'll set them straight.

9) The last frugal tip I have is for your ego. You'll have to adjust to working without reward. And don't kid yourself that the joy of writing will be enough. It's a hell of a joy but it's rarely enough to replace the validation, income, and society of the workplace. Think hard. There will be no reviews of your work. No feedback. You will have to accept silence for a very long time and write anyway.  

10) You took the red pill. You're all in and today is the first day of Living the Dream. You've got such a tiny economic footprint that you barely register on the grid of household expenses. You're eating rice and beans but on the upside, you've lost 10 pounds. The price of gas is something you never think about because you never drive anywhere. You write every single day. Even Sunday. And you are happy. Frugal living is a walk in the park. So the last tip is, this is the money shot. This day. This moment. Work hard. Give it your all. Enjoy every minute and give thanks.

I'll race you to the bestseller lists.

Humanity and Indie Publishing

I couldn't think of a better title for this post which is really a potpourri of this week's events in Writing for My Life.

1) Sales in August fell off a cliff. The benefit of falling off the sales cliff was that it was going to happen sooner or later, right? I was cured of watching the graph thingy at KDP because it was too depressing.

2) Plagiarism seems to be a hot topic among indie authors these days. Plagiarism (for those too busy plagiarizing to use a dictionary) means "to steal ideas or passages from another's work and present them as one's own." - Collins English Dictionary. In the exchanges I'm reading online, the offenders argue that because they made changes to the original work it's all copasetic. Dear Plagiarizer: It is not. Write your own stuff. (and look up copasetic) I have more thoughts on this subject but it's been a busy week so onward!

3) Lots of traffic from Turkey this week so a big shout out to all my visitors. I wrote a thesis paper on Turkey when I was in high school so I feel like we're old friends. Nice to shake virtual hands! Think of my sales cliff! Buy a book!

4) Piracy. I found a pirated copy of Iced Under on an ebook site, heavens knows where or how or why, but there it was buried in pages and pages of mysteries. When I made it available for free, I assume it got passed around as books do. So until I am as popular as Grisham, no more free ebooks. At least one person out of 7 billion will have to buy the book first before passing it on. The humanity!

5) Diet. I'm on one again. Must lose weight for daughter's wedding to get into Mother of the Bride outfit. So what I want to know is how am I supposed to write if I can't eat Skittles?

6) Spent the day correcting minor errors in Wanton because that was soooo much easier than writing a new scene in Wastrel. (Confused about plagiarism? If you find writing a book is easy-peasy you're probably stealing it.)

7) I have a book event on Saturday! Authors' Day at the Wakefield Market in beautiful downtown Wakefield, Quebec. From 9:00 am to 1:00 pm. I will be selling print copies of Iced Under, The Grey Lady and The River Bride in a 3-Book Gift Pack for Christmas at a shockingly low price. So get over here!

8) The winners of the Goodreads Giveaway were Cassandra Edwards, Sausan Sumar and Dorothy Huckaby. Signed copies of The Grey Lady were popped in the mail on Tuesday so it is anybody's guess when your books will arrive, ladies. I love Canada Post but ... well. You know.

That's me for another week. Be nice to each other.

Phone calls, deadlines and the self-employed writer

I don't like it when the phone rings in my house. But I like it even less when the call is for me. A woman I met at a party this weekend has called and left a message for me. She wants to talk about something we enjoyed discussing at the party.

Now here's the thing.

I've talked already. I went to the party and I did all the talking I plan to do for a full week. Now I am writing. I write all day. Not always happily or willingly or with mad love in my heart for writing. Quite often I hate it. But it's what I do. Over years I've learned when the writing sucks, when I hate it---that's when I'm in the most danger of losing it. I've learned to dig deep and shut out all distractions and potential derailments. I've learned to stick with a troubled book like a fireman sticks with a person in a burning building or a mountain climber sticks to a mountain.

I have to get this book and another one finished in semi-finished draft form before the end of August. It's a deadline no one cares about or values except me. So do I keep working or call this person back? Now you know why writers are considered arrogant, nasty brutes. I feel like biting somebody. Where's the bloody phone number?

BOOK READ THIS MONTH: "Up and Down" by Terry Fallis. Funny, goofy read. I liked it. Book club was meh. I think you have to be in the mood for light satire and I was.

12 Weeks In - A Self-Publishing Report

Over the course of the past three months, I have self-published four titles as ebooks and brought one of those titles out in print. Two titles are making steady sales. One is struggling to gain traction as an ebook but has already earned out as a print title (very soft release on May 10). And one is only 12 hours old so it's too soon to tell.

The Stats:

All sales in the 12 weeks have come from Amazon.
Smashwords reported one sale very early in. Although downloads of the sample were brisk in the beginning, the books haven't moved since and the downloads did not translate to sales.
No sales reported through iBooks
No sales reported through B&N
No sales through Kobo because they are experiencing delays (as per Smashwords) getting titles listed and to list them myself, I'd have to do some reformatting. Which I might one day when I have time.

In fairness to the other sales channels, the titles were listed with zero marketing and I haven't investigated any promotional opportunities that may be available through them. Here is why:  Marketing takes time. Precious time from writing new work, editing current work, formatting, and reading up on changes in the industry just to keep up. Plus I have a wedding to plan in September.

From a business perspective (Hey, I watch Dragon's Den) Amazon is getting me where I want to go faster with the least time-consuming effort. If I enroll all four titles in KDP Select, I can manage promotions in one location for no cost. It's 90 days. Titles are listed with KDP exclusively. At this stage in my self-publishing journey, my priorities are to keep costs down and write new content.

So although it seems counter-intuitive, I'm going to list my titles with KDP Select, run some promotions through Amazon, write the next book and at the end of September, I'll evaluate the strategy. Many authors feel Select is not worth tying up their books for 3 months exclusively, but when I weighed the pros and cons it came down to time. I just don't have time to effectively promote in other channels right now.

12 Weeks SP Positives:

Self-publishing was the only option left for Iced Under and The Grey Lady. If you think getting a new book published is difficult, try attracting interest in a book that has already been under contract. Win!

Self-publishing was the only option for my three romance novels. Surprising, successful, fun and creative, I'm really enjoying giving this older debut work new life. Bonus!

Self-publishing gave print life to The Grey Lady and I've sold out my initial print run. Validation!

I have two full length novels waiting to be revised and formatted to be published. And the book I've started writing as well as two new series I have outlined will keep me busy until 2016. My old enthusiasm for writing is back. Productive!

12 Weeks SP Negatives:

 A lot of work. Long hours at my desk. There is always more to do. Time.

The feeling of having no back up. Writers are for the most part generous with support but I miss having the structure of a publishing house behind me. Or maybe I miss what I imagined a publishing house to be... Exposed is the feeling. It is just you and your books. Solitary.

You make ALL decisions for your books. Everywhere. Constantly. Sooner or later you're bound to make a poor one from sheer fatigue. Responsibility.

There's no money or very little money. There was no money for me the other route so this isn't a total negative but one to keep in mind. No money. No advance. Frugal.

For the author just starting out, I'd recommend pursuing traditional publishing before self-publishing for a least a year. If no one bites, revise the manuscript and then go ahead and self-publish. I'm glad I had my trade publishing experience before I took the leap. But at the same time, I am very glad I took the leap.

Working for a living...

Oh yeah. Working for the man.

Putting in a 9 to 5 for a couple of weeks to make peace with my bank account. But 9 to 5 is hell on a writing schedule. I have nothing left when I get home. I have to content myself these days with getting familiar with my latest character, a young woman half my age whose heart is breaking. Eventually there will be a murder and other plot elements but while I'm working a "real" job, all I can do right now is get to know this character.

I am only 12,000 words into the first draft; working title: BLOODY THOUGHTS AND VIOLENT PACE. I should be at 16,000 words.

If only I didn't have to eat or pay my mortgage. Life would be a dream....